Publication date
2005-03-00 00:00:00
The follow-up to last year's Stocker single
'Saturday Night' (Bevlar S04) is finally here!
Just like on the last release, Inko Perä provides the guitars and this time occasional collaborator and singer Tony Wednesdays adds a melancholic twist to the bouncy beats.
The cast of creative remixers take the track to new territories: From Stockholm based Joe KickAss, half of the Now In Stereo production team, comes a dark and moody remix full of attitude.
Doubleheader heads off in a completely different direction, drawing on the more melodic elements of the track. His remix changes the lead vocal in a subtle yet effective way, adding melodic depth and a laid back rhythm track.
The Cryo remix of 'Stay' is nothing short of brilliant; a nine minute pumping funk workout - possibly the best production ever to emerge from the Dance Bitches Dance studios.
DJ Hellbent simply won't let go of his past and serves up another freaky acid house number. His remix sets off somewhere in electronica-land, travels through a few noisy cut'n'paste twelve inchers from the past and turns up in a damp warehouse back in 1989.
'Saturday Night' (Bevlar S04) is finally here!
Just like on the last release, Inko Perä provides the guitars and this time occasional collaborator and singer Tony Wednesdays adds a melancholic twist to the bouncy beats.
The cast of creative remixers take the track to new territories: From Stockholm based Joe KickAss, half of the Now In Stereo production team, comes a dark and moody remix full of attitude.
Doubleheader heads off in a completely different direction, drawing on the more melodic elements of the track. His remix changes the lead vocal in a subtle yet effective way, adding melodic depth and a laid back rhythm track.
The Cryo remix of 'Stay' is nothing short of brilliant; a nine minute pumping funk workout - possibly the best production ever to emerge from the Dance Bitches Dance studios.
DJ Hellbent simply won't let go of his past and serves up another freaky acid house number. His remix sets off somewhere in electronica-land, travels through a few noisy cut'n'paste twelve inchers from the past and turns up in a damp warehouse back in 1989.
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